Give Full Play to the Subjective Initiative

In the art of stage performance, the stage professional speaker plays the role of sound amplification and playback, atmosphere creation, sound effect production, and coordination. In the debugging process of stage audio, the debugging personnel should correctly use the basic debugging skills, volume debugging skills, and effect debugging skills. At the same time, attention should be paid to the noise treatment and debugging of the professional speaker system. Skillfully infiltrate the principles of sound aesthetics, make the sound effect match the stage performance process, and give full play to the service value of stage sound. Bring the ultimate audio-visual experience to the audience, and add color to the stage performance art with good stage acoustics.

Here is the content list

• Solve the noise problem

• Give full play to the subjective initiative when debugging the sound

Solve the noise problem

The reasons for the noise in the stage professional speaker system are very complicated, such as the audio equipment being too old, malfunctions, excessive volume, harmonic interference, etc., these factors will lead to harsh noise in the audio equipment. These noises affect the audience's appreciation experience at least and cause the interruption of stage performances at worst. The stage full-range speaker should serve the stage performance, good stage acoustics is the basic guarantee for the smooth and normal performance of the stage. Therefore, we must attach great importance to the noise treatment and debugging in the stage audio debugging. First of all, it is necessary to regularly check the operation status, interface, capacitors, etc. of the audio equipment, and replace the old capacitors in time to ensure that the line connection is smooth, and each component is stable and reliable, to avoid noise caused by equipment damage or poor contact.

Give full play to the subjective initiative when debugging the sound

When people watch stage performances, in addition to visual experience, they also hope to obtain auditory enjoyment. Especially when appreciating stage performances such as symphonies, stage plays, operas, etc., people put forward higher requirements for the sound of singing and instrumental music. To bring people a better aesthetic experience, stage full-range speaker debugging technicians must realize that a full-range speaker is a fusion of multiple sounds. It is necessary to reflect the timbre characteristics of different sounds, but also to make the timbres move closer to the same direction so that all kinds of sounds are coordinated and balanced. At the same time, technicians should fully apply the principles of acoustic aesthetics when debugging audio. Adjust the frequency of the sound according to different performance content and artistic style, and control the sound effect well. With the help of his rich work experience and skilled skills, he can adjust the parameters of various audio equipment and handle the sound details well. Reflect the timbre level and range of different instrumental music, so that the stage sound can better serve the appreciation of the audience and the singing, performance, and dance performance of the performers. Thereby improving the audience's satisfaction with the full range of speaker effects on the stage.

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